Traditional country music at its finest that will take you back to yesterday and make you tap your toes, clap your hands and smile with true, pure sounds of the steel guitar, fiddle, mandolin, dobro and acoustic guitar and vocals that are pure country.
Your Cheatin' Heart Look at Us Pride of Possession I Can't Stop Lovin' You Sweet Dreams I Really Can't Imagine It God Bless the USA I'm Not Lisa Me & Bobby McGee Crazy Blue Eyes Crazy Lovesick BluesPages
SONG OF THE DAY ARCHIVE
ALBUMS
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Wednesday, November 29, 2017
Dawn Anita – The Dawn of Old Country
Tuesday, November 28, 2017
Dylan Earl – New Country to Be
I’ve had a deep and powerful longing for more than two years, but the full-length Dylan Earl record is finally here!
Gasoline Hard To Be Her Man Snakes (Through My Old Pain) Clay Pigeons Yesterdays Where She Woke Up (On Mornings With Me) Draw The Line Cold As The Rockies Hard Time My Failing LifeThere is a borderline unhealthy obsession with Dylan Earl in my household. As you may recall, Kristyn and I had a religious experience when we saw Daniel Romano a few years back. One of the most memorable events of that night was our introduction to Dylan Earl. For the past two years, we have reminisced about the magic of that night. At least a few times every week, we spin his Blessing In Disguise EP; Usually a few times in a row; Always with a few too many beers.
We laugh about how every song on that EP is your favorite song—until the next song comes on, and then that one is your favorite song! We laugh at the squatting photos on Instagram. We compare and contrast the Johnny Alabama from Yee Haw from Arkansas with the Johnny Alabama from Blessings In Disguise.
When this new full-length record was announced, we joked (but kind of not joked) about setting up a go-fund-me page to raise money to purchase the $500 House Concert + Access Pass option on the PledgeMusic page he started to fund a vinyl pressing of the record.
What I am getting at here is that I am not remotely qualified to give this new record a fair review. So grab a beer, fire up a stream, and let me tell you why “New Country to Be” is so fucking great.
Is this guy serious? I don’t know. Probably.
Dylan Earl’s vibe certainly harkens back to that of a late 1970s–early 1980s unsung country crooner. Pairing tongue-in-cheek campiness with tragic heartbreak is a unique skill—one that is likely responsible for he and Daniel Romano crossing paths those few years back.
Looking past the mustache, mullet, silk shirts, matching patten leather shoes and belts, you find something that at first might sound like the familiar country ballad. On closer inspection, though, you hear complex nuances to smart arrangements that are anything but typical of the classic country crooner.
Nuances like the way “Draw the Line” sort of hiccups after each of the schmaltzy 60s call and response verses, the way the chorus of “My Failing Life” is stitched together with loose ends in the middle, and how “Snakes (Through My Old Pain)” weirdly changes time signatures after the first verse.
For the seasoned Dylan Earl fan, “New Country to Be” is an exciting record. We have poured over “Blessing in Disguise” and the YouTube videos, and gotten a glimpse of what the post Daniel Romano lineup would sound like when “Yee Haw from Arkansas” was released—which to be honest, was a little rough. I am so excited to hear how he has settled in with this new group, while keeping all the great trademark Dylan Earl hooks intact. I think the dive bar scene has seasoned the group into something really great.
The real gem on this record is “Cold as the Rockies”—until “Hard to Be Her Man” comes on, then that one is your favorite. And then “Gasoline” starts, then that one is the best one…
Monday, November 27, 2017
Red River Dave – Authentic Hillbilly Ballads and Topical Songs (1954-1976) Vol 1
Notorious for his song ‘California Hippie Murders!’ – a ghoulish, harrowing, yodeling retelling of the infamous (Charles Manson masterminded) Tate-LaBianca slayings – Red River Dave was a genuine cowboy singing star turned tabloid balladeer.
(I Won't Care) A Hundred Years From Now Amelia Earhart's Last Flight Beautiful America I'd Like to Give My Dog to Uncle Sam Jailhouse Blues Somewhere I Hear Angels Singing The San Antonio Rose Ol Tex Ritter And His Deck Of Cards (A Tribute To Elvis' Mother) New Angel Tonight The Ballad Of Marilyn Monroe James Dean (The Greatest Of Them All) The Vietnam Guitar (LP Version) Keep That Star Spangled Banner Waving Somewhere We'll Bury You Moon Over The Wall (In East Berlin) The Red Deck Of Cards Ballad of Lee Oswald Answer to the Death of a President! (feat. Tony Rozance) Searching For You, Buddy Trial Of Francis Powers Ballad Of Francis Powers (There's A Star Spangled Banner Waving Somewhere) The Ballad of Billy Graham (feat. The Giese Family) The Great Society The Ballad of Emmett Till The Ballad Of John Birch The Ballad Of Patty Hearst The Bay Of Pigs The Ballad Of Apollo 11 California Hippie Murders!While ‘California Hippie Murders!’ might seem chilling and bizarre, within the body of ‘Red River Dave’ McEnery epic saga songs (collected here for the very first time), it makes perfect sense. The Moon landings, the kidnapping of heiress Patty Hearst, the Vietnam conflict, the assassination of JFK, the murder of young Emmett Till and Korean War ‘Manchurian Candidate’ brainwashing – all grist for the great Red River Dave Hillbilly song-mill. Often cut within hours or days of the event and pressed as minuscule edition private 45s: the tall, flamboyant, ‘Buffalo Bill’ bearded McEnery cut a dashing figure in his gold-sprayed cowboy boots and cracking lariat – as he hawked these handcrafted cuts from the boot of his steer-horned Cadillac. Some sides presented here are so rare as to be near-mythical – you’ll hear Red River Dave wax about the death of Marilyn Monroe and the Bay of Pigs – in an eccentric and forgotten chronicle of the 20th century experience. Reissued for the very first time: the fascinating, outrageous and heart-wrenching private-press 45s of Hillbilly poet laureate Red River Dave!Limited Edition Deluxe CD with exclusive scholarly liner notes by Alvin Lucia!Full Dynamic Range 2017 Remaster direct from the first generation analogue master tapes!
Sunday, November 26, 2017
Smooth Hound Smith – Sweet Tennessee Honey
A folk/blues duo able to rock a back-alley juke joint or inspire awe in a hushed coffee house
Power Line Lullaby (Light's Not Shining) 30 Days My Heart's Not Broken Yet The Boots That Got Us There Sweet Tennessee Honey Stopgap Woman Blues Forever Cold Stone Blind Gettin' Around She Calls Me Daddy Knockin' At My DoorSaturday, November 25, 2017
Elton Mishoe – Ace Of Hearts
AOK Records artist, Elton Mishoe presents his debut Country album on the label.
Thank God for the Little Things Daddy's Sound Mind The Last Thing I Needed Back to the Good Times Hoping I Don't Get Stopped Help Me Make It Through the Night Georgia Wedding Mama Let's Pray for My Daddy Ace of HeartsFriday, November 24, 2017
Pat Swenson – Helluva Cowboy
His musical influences range from classic country artists like Willie Nelson, to the hugely impactful Garth Brooks, andultimately to more current and unique artists of today like Brad Paisley, Dierks Bentley, Gary Allan and Eric Church. Pat has become a respected songwriter, having received great feedback and recognition of many of his songs by music industry professionals in Nashville.
Wednesday, November 22, 2017
Emily Taylor Kelso – Something Beautiful
Ontario-born and Newfoundland-raised, Emily Taylor Kelso was surrounded by country music from day one. Her family loved music more than most, and most family get-togethers were centred around country music, jam sessions, and sing-alongs. At 2 years old, if you asked Emily who her favourite singer was, she would, without hesitation, tell you it was George Jones. She grew up idolizing fellow Canadian Shania Twain, whom she credits as one of her very first musical inspirations. As she neared adulthood, Emily’s appreciation for country music and its origins increased drastically. The music of Loretta Lynn and Merle Haggard resonated with her so much that she immediately knew country was the only genre for her. There could be no fighting it—country music was in her soul.
Golden Ring (with Dillon Budden) You Ain't Woman Enough In Time (Something Beautiful) His Ghost Until You Want Me Sweet Silver Lining What I Wouldn't Do Danced All Night Almost Drinkin' You Away Free Memories on My MindEmily first began her musical journey at a young age with piano lessons, then vocal lessons. In 2009, she discovered that aspiring singers were finding success by uploading covers of popular songs on YouTube, so she decided to do the same. Her cover of Miley Cyrus’ “Party in the U.S.A.” earned her half a million views before it was made private. That same year, Emily received her first guitar and taught herself to play. Though she’d been writing lyrics and melodies since age 9, learning to play the guitar allowed her to get serious about her song-writing. So far, she has amassed a collection of over 500 original songs, all without a co-writer, although she is eager to start collaborating with other artists in the future.
Over the years, Emily performed frequently in her hometown of Norris Arm, which is home to the Fox Moth Heritage Centre. After graduating from high school, she got a summer job as a musician at the Hann’s Point Dinner Theatre in Lewisporte, where she spent the next four summers working. At Hann’s Point, Emily got the opportunity to work with other incredibly talented musicians and share her love of country music (and some of her original songs) with audiences from not only all over the province, but all over North America. She and her Hann’s Point Players bandmates have played in various locations in central Newfoundland over the years, giving her the stage experience she desired. In her final year with the Hann’s Point Players, Emily starred Loretta Lynn in the play “Honky Tonk Girl,” a play about Lynn’s life and career. This was a dream come true for the aspiring country artist, and the show was hugely successful.
Determined to make it in country music, Emily wasn’t about to wait around for a record deal to get her music out there. She used her free time to immerse herself in the history of country music as well as the business side of the music industry. By 2017, she had formulated a plan to self-release her very first album. To honour the town that had shown her unwavering support, Emily chose to record her music in a studio in Norris Arm during her final summer at home. She put all her time, effort, and money into making sure the album was everything she ever wanted. The result? An album that pays tribute to the artists who made country music into the genre Emily fell in love with—like Merle Haggard, whose 2016 death added even more fuel to Emily’s love and appreciation of the genre. An album that rejects the inexplicably popular electronic and pop-infused country music that has recently been dominating the charts. An album that Emily hopes Merle, George, and Loretta would be proud of. An album called “Something Beautiful.”
Charlie Barrale – Different Than Before
Hey everyone,
Thank you so much for checking out my website. I hope you enjoy the music. It is my life.
Praying for Red Lights You Were One for Me Just Passing Through Different Than Before Down Like Champagne Better Off Without
I was born and raised in South St. Louis City Missouri until I was 28 years old. Ft. Worth Texas had always called to me, so I made the move at the beginning of 2015. My next stop was Phoenix Arizona where I lived for the first half of 2016. Since then I have put on my boots, belt buckle, and Stetson, and moved again to Dallas Texas where I currently live downtown. All of these places have one major thing in common…They all love and appreciate live music. I am fortunate enough to have met so many people all over the country who have given me a shot to play at their venues. Whether it is a bar, club, corporate event, wedding, or even a retirement home or two, I rarely turn down an opportunity to have my music heard.
Thank you to everyone who has supported me in my musical journey. I hope to never let you down.
Tuesday, November 21, 2017
Steven Tolbert – Steven Tolbert
Wednesday, November 15, 2017
Blue Shamrocks – Triple T T T – Tap Those Toes
New Australian band, the Blue Shamrocks, launched their first album Triple TTT – Tap Those Toes in August 2017, bringing the bouncy music of Irish dance halls to Australia.
The album tracks are based on easy listening fun music.
The album recorded in Brisbane, and led by Irish singer, Sam McCaughey, is making his debut in music recording, the album bridges over styles from country, to country rock, to blues, all based around an Irish country beat.
“The Blue Shamrocks are one of just a few Irish country bands in Australia, and there is no other music like this in Brisbane” McCaughey said.
As intended the making of the album was a fun project, with 100% input from Brisbane musicians, hopefully for all to enjoy.
Tuesday, November 14, 2017
New Legacy Project – Doxology
Rick Price, owner and founder of New Legacy Project, began his 40-year career in Southern Gospel music with the legendary Blackwood Brothers Quartet. Originally a protégée of the late Cecil Blackwood, Rick was inducted into the Gospel Music Hall of Fame with the Grammy and Dove-award winning group in the 1990’s.
After Cecil’s death, with the support of his widow, he and Chris Blackwood formed the Blackwood Legacy. It was Rick’s desire to carry on the grand heritage of his beloved mentor. The group has been continuously touring throughout the United States since their formation in 2001.
In 2017, Rick made the decision to rename Blackwood Legacy to New Legacy Project, believing that God is speaking into the ministry in a new way. The vision put on his heart is to let go of the old name, Blackwood. While honored to have carried it forward these many years, it is time to take up the new mantle God has for them. It can no longer be just about the music or the name of one family, as wonderful as they were in the history of Southern Gospel music.
As always, Rick surrounds himself with some of the finest singers and musicians in the industry today. In addition to their talent, they all have a special call on their life. The group consists of Spokane native, Luke Yates, Hunter Sparkman and Paul Secord of Nashville, and our newest addition, John Hilton, who was born and raised in Ozark, Mississippi. All of these men are experienced and gifted beyond belief.
New Legacy Project will carry on with the same anointed music, the same phenomenal sound, the same great men of God, and the same amazing ministry. Known for their flawless harmonies, homespun humor and impeccable delivery, the group will continue to tour the U.S., ministering wherever God opens the door.
Monday, November 13, 2017
The Eskimo Brothers – Hands and Knees
The Eskimo Brothers are a high energy honky tonk trio based out of Nashville, Tennesse.
This reckless and manic show has been battle tested and polished from over 300 shows a year, both in the honky tonks of Nashville’s historic Lower Broadway and and monthly shows in Memphis on Beale St.
Back Door Waltz Fire It Up Up on Cripple Creek Bloodshot Eyes Sex and Cigarettes Every Curve and Every Edge (feat. Lillie Mae) Hands and Knees The 1 for Me Liquor to Like Her Bottoms Up Two Miles HighSunday, November 12, 2017
Dave Miller – Southern Dreams
Dave Miller was the leader of the legendary Arkansas-based band Gumbo back in the 70s and 80, and has returned to music with a splash, with this solo offering featuring his twinkling wit and warm insights into life and love.
Dry Spell The Hat Love Light She's so Gone I Miss Yesterday Shiny Shoes Too Far Gone Rollin' off a Log Counting on Love Right Wrong Turn Cowboys Last Show Big Boy Big BreakfastIt has the blend, width and depth that Gumbo fans used to love, and more – featuring a fine blend of both an acoustic back porch vibe and driving electric guitars, featuring Richmond and Dave’s old Gumbo bandmate Robear Bosdorf. There are great open-hearted love songs and wry observations of southern culture, and most important, that twinkle in the eye that everyone who ever saw Dave perform will remember.
From Dave’s liner notes –
We all have dreams. When we close our eyes to think about the future, sing a heartfelt song, kiss some one we love, drift into sleep, or pray for grace, we come face to face with our dreams. They give us a reason to hope, to work, to persevere and to celebrate. We can travel through a dream world full of faces from the past, experiences we have imagined, magical landscapes, and flights through time. Sometimes we work and hope and nothing happens, and it hurts. Sometimes we get to live our dreams or something beyond even our wildest dreams. The songs you will find here are flavored with the spices, woven with the textures, and animated with the images that remind me of growing up, working, traveling, living, singing and dreaming in the South and Southwest regions of our beautiful country. I hope these tunes take you down a path through some of your own dreams and experiences, make you tap your toes, grin a little bit and sing along.
Saturday, November 11, 2017
Friday, November 10, 2017
Lizzie and The Yeehaw Gang – Road To Home
Songs about traveling and life on the road by a womyn’s Appalachian bluegrass Americana group from Bedford, Pennsylvania with a flair for grassing up old rock tunes and sharing boot-stomping bluegrass.
Rough and Rocky Road to Home Armadillo Breakdown Roll in My Sweet Babys Arms Nine Pound Hammer Lorena Wagon Wheel Going Down the Road Feeling Bad Cripple Creek Gypsy WayMusicians – Lizzie Yeehaw (vocals, guitar, bass, fiddle, banjo), Lilibird Yee (bass, guitar), Sally Starflower Klein, (vocals, mandolin, hand drum, bus driver, cat herder), Jackie Kriner (vocals, guitar), Sandy Howsare (vocals, bass), Karen Semanek (vocals, fiddle, snare)
Recorded, Engineered and Mixed by Lizzie, Sally & Karen. Mastered by Disc Makers. Cover Artwork by Lizzie Yee and id graphics, LLC, Everett, PA., distributed by CD Baby
Release date 11/1/2017 in Bedford, PA
find out more about our music and event dates on Facebook, YouTube and Bandcamp
Friday, November 3, 2017
Sammy Kershaw & Friends – Swamp Poppin’
‘Swamp Poppin’ is a dive into a type of music that’s ingrained in him — swamp pop.
A sound distinct to the Acadiana region of Louisiana—where Kershaw was born, still records and has held a spot in the Louisiana Music Hall of Fame since 2008—swamp pop finds its footing in rhythm and blues and builds on the sound with prominent basslines, pronounced horns and honky-tonk style piano.
Got You On My Mind Twinkle, Twinkle Lucky Star Knock On Wood Mathilda Let The Four Winds Blow I'm A Fool To Care Lord I Need Somebody Bad I Got Loaded All These Things Jukebox Songs Blue Monday Alligator BayouKershaw’s small town beginnings in Louisiana give him an appreciation and understanding for the people and the culture surrounding Wilson. “Small towns still work with their hands. Farmers connect with the land,” said Kershaw, “I think that’s why country music speaks to them. There’s a soul to the music.”
Because of that soul, Kershaw is taking on his newest project, “Swamp Poppin’,” under the group name Sammy Kershaw and Friends. With musicians like Eddie Raven, Warren Storm, T.K. Hulin, Don Rich, Willie “Tee” Trahan, J.B. Perry, Charles Mann and G.G. Shin, Kershaw is collaborating with a number of artists who have helped keep the swamp pop sound alive since its creation in the 1950s. With many of the artists still in Louisiana, Kershaw is splitting his time recording the album in Nashville, Tennessee, Muscle Shoals, Alabama, and in his studio in Lafayette, Louisiana.
Thursday, November 2, 2017
Lucas Hoge – Dirty South
Lucas delivers the best album of his career to date with “Dirty South,” his debut for Rebel Engine Entertainment.
Who's Gonna Be There (In Memory of Michael Berry) [Bonus Track] That Ain't Cool Dirty South Flip Flops Halabamalujah To Go with the Whiskey Mad Dog Memories Power of Garth Boom Boom Shoo Fly PieWith a pleasant vocal style and a genuine talent for selecting songs that suit his voice, Lucas Hoge has steadily been growing into his career as a major artist at a time when it’s not exactly easy to do so. With 10 tracks, Dirty South, Lucas’ third album and first for Rebel Engine Entertainment, finds the artist tackling multiple stories and sounds that are as classic sounding as they are freshly current.
“That Ain’t Cool” is the kind of song that used to dot the great country records from the likes of Clay Walker and Billy Currington while “Mad Dog Memories” finds Lucas getting a little nostalgic about an early and pivotal relationship in his life. “Boom Boom” and “Power Of Garth” are both songs I’ve heard prior to this album being released and they’re both strong songs, particularly “Power Of Garth,” a song which uses Garth Brooks songs to show how memories are tied to the soundtrack of our lives and how these songs bring us right back to those moments of our lives.
With powerful vocal delivery, the funky “Halabamalujah” is certainly something different than most of what’s on the mainstream. It recalls Jeffrey Steele and is one of three songs not co-written by Lucas on Dirty South. While these songs are all strong, it is the title track “Dirty South” and emotive closer “Who’s Gonna Be There” which are the clear highlights of this record. The former is about life and love in the country while the latter finds Lucas Hoge delivering a powerful, string-filled song wondering about one life’s impact will have on others when it’s time for them to meet their maker.
It is only 10 songs deep but Dirty South is the kind of pleasant brand of music that country music has often been known for. These are ten good songs with no real ‘fat’ to be found. Here’s hoping the album finds a wider audience.
Wednesday, November 1, 2017
Mike Ryan – Blink You’ll Miss It
Granbury, Texas-based singer-songwriter Mike Ryan’s country music career had already been progressing at a respectable, slow-and-steady-wins-the-regional-race pace in the four years between his debut EP and the 2014 release of his second full-length, Bad Reputation, but ever since then, he’s been cruising at wide-open interstate highway velocity. Four of the album’s 10 tracks were released as singles — with three of them hitting No. 1 on the Texas Music Chart, leading to Ryan winning New Male Vocalist of the Year at the 2015 Texas Regional Radio Awards. The album’s success also played a big role in landing the young Texan on Music Row’s radar, leading to his first outside “cut” as a professional songwriter: Ryan shares a co-writing credit on Nashville superstar Brad Paisley’s latest single, “Last Time for Everything.”
Go ahead and blink … there’s no missing Mike Ryan at the rate his career is taking off. (Photo courtesy Mike Ryan)
Three years after Bad Reputation’s release, Ryan admits that he and his team would have loved to have kept releasing more singles off the record — a testament to not only how hard they worked on it but how much they believed in it. But he was more eager to get cracking on a batch of brand new songs for his growing fanbase, and the results — as featured on his soon-to-be-released (Oct. 20) Blink You’ll Miss It — suggest that his career will only take off even more through the end of the year and well into 2018. Two of the new album’s songs (lead single “New Hometown” and “Sad Song”) have already made a strong first impression on satellite and terrestrial airwaves (not to mention online, with the former quickly racking up more than four-million streams on Spotify), and the best is yet to come … starting this week with the premiere of the title track. “Blink You’ll Miss It” will be available for download on iTunes Friday (Sept. 29)
The Rewrite Sad Song Damn Good Goodbye One Way Other Side of the Radio New Hometown Blink You'll Miss It“That song basically wrote itself — I love it when that happens!” Ryan marvels of “Blink You’ll Miss It” and his Nashville co-writing session with his longtime buddy Casey Twist and Twist’s friend, Randall Clay. “The stars just kind of aligned that day. From the moment Ryan came in the door, he was like, ‘I’ve got this idea,’ and started singing, ‘Riding shotgun means you gotta get the gate …’ And I was like, ‘Whoa … I like where you’re going with that!’ So we sat down and started writing, all three of us sharing our own stories and input and coming up with lines, and it just fell together so naturally — I don’t think it took us even an hour to finish it. That was so cool to see that happen, especially considering that it was the first time that the three of us had ever all written together. Songs don’t happen like that very often, at least not in my experience.”
Speaking of his own experience, Ryan concedes with a laugh that although “Blink You’ll Miss It,” a paean to growing up in the kind of teeny, tiny small town that most folks never even know they’re passing when barreling down the highway, is sung in the first person, his own hometown of San Antonio hardly qualifies as an easy-to-miss speck on the map. But he certainly didn’t lack for firsthand memories of country living during the writing session.
“Even though I grew up in San Antonio, for the first 20 or so years of my life we had a ranch with a log cabin out in Leakey, Texas,” he explains. “It’s a town of about 400 people people about two hours west of San Antonio, right on the Frio River, and it was one of my favorite places in the world. Unfortunately, my mom and dad had to sell the property a few years back, but we made a lot of memories out there, and that’s what I was tapping into for this song. And then that song ended up kind of shaping the course of the rest of the record, too. I didn’t know as soon as it was written that it was going to be the title track, but when the rest of the songs started coming together and we got to thinking abut the direction of the album, it just seemed like the perfect one. Because there’s several songs on this record talking about family things and growing up and life experiences like that.”
Fittingly, “Blink You’ll Miss It” also directly or indirectly inspired the album’s cover art. It’s a picture of a very young Ryan and his brother painting a shed and chicken coop back on that old ranch in Leakey — taken by their grandmother.
“My manager, without even telling me, got a hold of my mom and dad and got a bunch of pictures from early childhood, including that one,” he says. “And then he was like, ‘By the way, the album cover’s done,’ and he just sent it to me. And oh my goodness, I just started crying my eyes out. [Laughs] I hadn’t seen that picture in 20, 25 years. But that one image from my childhood just brought back this incredible flood of memories. Like, I remembered that whole day, and it took me back to that exact moment. It was pretty cool — and a really nice surprise.”