Pony Creek – Pott County

Pony Creek, a musical collaboration between Ryan Osbahr and Billie Frost, was formed in the spring of 2016.  Hailing from the Omaha/Council Bluffs metro, the name “Pony Creek” is derived from a small creek by the same name that runs between the duo’s homes.

He's a Dream Meant to Be This One's for You Can't Miss You Can Call Till You're Mine Doormat Pott County Both to Blame How 'bout That Say What You Say I'll Wait Memory Not the Enemy All That I Want

In May of 2016, along with a full band consisting of Eric Nelson (guitar), Travis Goddard (guitar, banjo, mandolin), George Cooper (bass), and Tim Blair (drums), Pony Creek released their debut album Easy Way Out to critical acclaim in the Midwest.  The album was nominated for “Album of the Year” by the Omaha Entertainment and Arts Awards and Pony Creek was nominated for “Best Country” artist by the same institution in 2016 and 2017.  For the past two summers, Pony Creek have become regulars in the Okoboji, Iowa music scene, consistently performing in front of sold out crowds.

Playing a variety of folk, blues, Americana, country and rock, Pony Creek has quickly made a name for themselves as one of the region’s hottest new acts.  Whether playing Spencer, Iowa’s Wheels Up festival for RAGBRAI 2017, Manning Main Street RAGBRAI 2018 festival, or rocking the crowd for southwest Iowa’s Tri City BBQ Fest in Denison, Pony Creek delivers family friendly entertainment that connects with all ages.  Opening for national artists such as Jeremy McComb (Nashville), The Voice alumni Curtis Grimes (Texas), Jason Eady (Jackson, MS), Jon Langston (Nashville), and Tucker Beathard (Nashville), the band continues to gain popularity in the Midwest region.

In September of 2018, Pony Creek released its follow up album entitled Pott County, a 15 track country/rock album that draws influences from Dwight Yoakam to Kacey Musgraves.  Pott County is a mash-up of storytelling that includes small town life, heartbreak, happiness, love, family, addiction, revenge, and more.  It was recorded in Omaha, Nebraska at ARC Studios and mastered by Lurssen Mastering, a world-renowned multi-Grammy Award winning mastering studio.  Pony Creek’s music can be found on AMI Jukeboxes nationwide.

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Pony Creek – Pott County

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Dede Wyland – Urge For Going

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Dede Wyland – Urge For Going

Dede Wyland’s voice rings like a bell, clear and powerful. With a stellar backing band, Dede is showcased here in familiar and supportive ground. Her voice flows and dances through these songs like a luminous golden ribbon.

t Be Me On The River On The Wind For Going You Love Me One More Time nball Yodel Me Forever s In Life TP1 In Old Kentucky

Album Notes

Dede Wyland’s voice rings like a bell, clear and powerful. With a stellar backing band, Dede is showcased here in familiar and supportive ground. Her voice flows and dances through these songs like a luminous golden ribbon, tying each tying each song together while shining light onto the lyrics. She moves with ease from the haunting country-soul delivery of “Could You Love Me One ore Time” to the precise and masterful control of “Cannonball Yodel.”

I first heard Dede sing with Tony Trischka and Skyline in the ‘80s and I was immediately struck with the richness and strength of her voice. I was also struck with the absolute ease with which she sang. Her singing, then and now, appears effortless and natural, as if she is lounging on a cushy sofa, having a conversation, drink in hand, and suddenly breaks into song. Like falling off a log, as they say where I’m from, like falling off a log. She is doing what she was meant to do and I’m so very glad she is. “Urge for Going” is set to mark Dede Wyland’s rightful place in the history of modern bluegrass.

Missy Raines – Missy Raines and the New Hip
Reflecting on Dede Wyland puts a smile upon my face. I was introduced to her golden tones around the time I first immersed myself in bluegrass, in the early 1980s, while hosting radio shows at WAMU in DC. The band was Tony Trischka and Skyline, a New York/New Jersey-based group that revolutionized our music with their modern approach, not afraid to stretch the music to its bountiful limits. Dede’s voice led the way, soaring and dipping through the textured sounds. But her career in the music goes back even a little further. The Milwaukee-area band ‘Grass, Food and Lodging was around in the late ‘70s, and Dede cut her teeth with that group. In more recent years, Dede has stepped back from the spotlight a little, teaching voice, but still making music around the area where she is now based, near Washington, DC. For this fine new project, she calls on an amazing lineup of DC-based musicians, a list that reminds us just how incredibly strong the music scene is around here still to this day. Add to those local players a few out-of-towners, including Laurie Lewis, Kathy Kallick, and Raymond McLain. From the opening track, a revved-up rendition of the splendid Joni Mitchel song of wanderlust, “Urge for Going,” to the closing track, an old Suzy Bogguss song, “Music on the Wind,” and within the eight great songs between, there’s lots to love. After more than forty years of lighting up the room with her exquisite vocal talents, it’s great to have yet another gem of an album to add to the Dede Wyland discography.

Lee Michael Dempsey – Longtime radio host at WAMU radio and bluegrasscountry.org

Dede Wyland is one of the pioneering women in bluegrass. It’s a fact not discussed as often as it should be, partly because of Dede’s choice these days to perform primarily in the D.C. area where she lives, and concentrate on another passion of hers: passing on her keen knowledge of the human voice in her role as a much sought-after vocal coach.

Those who know Dede as I do are well aware of her immense gift as a singer and stylist capable of tremendous stylistic range. Although she has performed and recorded country, rockabilly, and other genres, bluegrass has always been the foundation of what Dede does, and this record is a statement to that. It’s bluegrass music, extremely well-played by a who’s who of D.C. area pickers: members of the Seldom Scene, Dirty Kitchen, and others, but it’s Dede’s captivating voice and musical leadership that put the artistic stamp on this collection of songs.

Whether it’s the Everly Brothers’ “Let it Be Me,” a Joni Mitchell song, or one by her beloved Stanley Brothers, Dede has the gift of truly delivering the lyrics and making us feel each song in a new way. That’s what an artist does, and Dede has never sounded better doing it.

Chris Jones – Chris Jones & The Night Drivers

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Jim Allchin – Prime Blues

Critically Acclaimed Blues-Rock Guitarist, Songwriter and Vocalist Jim Allchin Announces Prime Blues, His Newest LP, for Release September 21, 2018 Produced by Grammy and Blues Music Award Winner Tom Hambridge and featuring a team of veteran studio and touring professionals including special guests Bobby Rush and Mike Zito Jim Allchin,… Continue reading

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Bob Thomas – Shadows

Award winning singer/song writer Bob Thomas was born and raised in Los Angeles. First and foremost Bob is a story teller and is renowned for his music about cowboys and the old west.

Church Dance I Married Me a Farm Girl Row, Row, Row Your Boat The End of a Long Hard Day Lefty Oregon Shadows The Meaning of Life Sunset on the Sandia's Texas Thunderstoorm Moving West Wild Horses Day Cowboy

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Bob Thomas – Shadows

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The Cory Grinder Band – Cahoots & Other Favorites

With a deep love for classic country music, The Cory Grinder Band writes original honky tonk tunes for those who love that old hillbilly sound. Cory, from Akron, Ohio leads the group playing rhythm guitar, fiddle, and singing with pedal steel/electric guitar player Stephen “Tebbs” Karney. Gluing the group together is veteran bass player, Jason Willis. Between them the members of the band have quite a bit of experience playing for local venues (House of Blues, Beachland Ballroom) and national programs (NPR’s “On Point,“ SXSW.) Their entertaining live performances are full of fun, upbeat songs and the silly antics of the band. Always trying to have a good time, it’s not unusual to see the group switching around instruments and bringing guests into the fold.

On the Shelf Pretty Good Company All Our Story Tells Long Lost Heart Crazy as Me Cahoots Holding You The Rate Look at Baby Now Unlucky Penny Just Not Ready Staying Home Tonight Keep Them Blues Away

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The Cory Grinder Band – Cahoots & Other Favorites

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Josh Grigsby and Country Line – Love Life and Misery

Good time original, classic, contemporary and gospel bluegrass music that will surely get your toes tappin’ and your hands clappin’.

Erase The Miles Doin' My Time Fields Of Indiana House Of Gold I'll Just Stay Around Carolina in the Pines Trains I Missed The Old Cross Roads Lonesome River Shoulda Asked Her Faster This Old Town You Can Call Me Lonesome

Recognized as one of Virginia’s fast rising new bluegrass bands, Josh Grigsby and County Line was awarded the 2015 Bluegrass Band of Virginia Championship by the Virginia Folk Music Association. The VFMA is the only organization in Virginia sanctioned by the Governor of Virginia to hold Virginia Bluegrass, Gospel and Country Music “Championship Contests” and to induct Virginia Artists into the VA Country Music Hall of Fame. In addition to winning the Band Championship, Josh Grigsby was voted first place Male Vocals and, Judge Parker was voted third place Male Vocals. The band was also the winner of the 2014 East Coast Band Competition at the Bluegrass by the Bay Festival in Gloucester, Virginia. Band members are Crystal Grigsby (vocals), Mark Mills (guitar, vocals), Whitney Perkins (Dobro), Robert Kidd (bass), “Judge” Parker (banjo, vocals) and, of course, Josh Grigsby on guitar and lead vocals. The band has three CDs under their belt, Changes in the Tides, Ruby Lane Memories and Love, Life and Misery. Find out more about our band on FaceBook and our website.
The title of the CD was inspired by the original tune “This Old Town”, which was written by Mark Mills, lead guitarist at Josh Grigsby and County Line, along with Tommy Valentine. The tune is sure to bring back memories of the listener’s home town. Another original that is featured on the CD; was written by Josh Grigsby titled You Can Call me lonesome. This song was written after his learning of a friends heartbreak. Another song of note was penned by Tunesmith, David Norris, who written songs for some of bluegrasses’ best. When presented to the band, they all fell in love with this tune – titled Fields of Indiana. This release is a mix of several styles of bluegrass music; hard driving classics, beautiful love ballads, story-telling songs, soulful gospel and more. The band is excited to release this CD and hopes the fans will enjoy listening to it as much as they enjoyed recording it.

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Josh Grigsby and Country Line – Love Life and Misery

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The King James Boys – Time To Go Home

The King James Boys are an all gospel, bluegrass band that blends southern gospel harmonies with modern bluegrass sounds. After much encouragement and prayer, The King James Boys were led to pursue ministering and singing abroad. The King James Boys are still doing what they started out doing and that is sharing the gospel with others through the music!

Let Not Your Heart Be Troubled He'll See You Through He Arose Children of God The Master's Standing By He's Holding On To Me Was Nots Signs Of The Times Superwater Time To Go Home That's Love

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The King James Boys – Time To Go Home

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Gary Allegretto – Blues on the Trail

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Gary Allegretto – Blues on the Trail

In his 5th recording, Allegretto leaves the well-trodden path and blazes a new trail creating a rare, original, exciting, and cohesively themed record that intently and seamlessly mixes Cowboy and Blues genres – fresh and classic at the same time.

No Place Like Home Whittling Dynamite Another Mule Jack of Diamonds Wherever I Roam Blues on the Trail Black Diamond - Ian Espinoza Cowboys Gotta Be Free A Horse Called the Bluesman Every Silver Lining The Firebreak Line When Dutchy Plays the Mouth Harp

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Stryker Brothers – Burn Band

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Stryker Brothers – Burn Band

There’s a mythical, fraternal pair known only as the Stryker Brothers whose ghostly chords and verses have haunted the desolate Texas prairies for decades. There isn’t much known about the brothers. No legal records of the two exist. It was only a year ago that a set of original, reel-to-reel tapes were discovered. Those who had come across the Stryker Brother’s music before the tapes were discovered were rumored to be transfixed by what they’d heard… drawn in like moth to flame. Entranced.

The Bottle Sinner Man Charlie Duke (Auctor Continuum) Charlie Duke Took Country Music To The Moon Wrong Time Rocking Chair Quiet Town Balmorhea Throwing Shade Blue Today Baby Ain't Gonna Rain No More Ft. Worth Was A Fabulous Waste Of Time What Have You Got To Win

Many drove for days into the barren Texas landscape to feel closer to the Strykers’ ghostly serenade, some never to return. So, what happened to the brothers? Did they really perish in a prison fire? Did they go into hiding? Are they ghosts, earth-bound, playing for eternity under a lonely Texas sky? Perhaps we’ll never know, but it is said that during the hottest Texas summer nights — if you listen carefully — you can hear their intoxicating melodies playing amid the moonlit shadows on those desolate desert plains.

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Zoli Althea Browne – Never Too Old To Heal

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Zoli Althea Browne – Never Too Old To Heal

Mystery Calls In My Last Life I Was a Cow Just for Today All the Girls I Know Are Fat Children of Recovery Friends Are Denial on Trial Never Too Old to Heal Inner Child When I'm Sublime

Album Notes

Never Too Old To Heal supports recovery work, wounded child work, and spiritual renewal. I began my CODA recovery work in 1988 and continue working the 12 Steps to this day, one day at a time. After a double-header day of two meetings back to back, I intuited that we are indeeed never too old to heal! A participant had just stated that “ it is never too late to have a happy childhood”. Since I was nowhere near that understanding, I sought understanding by beginning to write the lyrics and music for this cd. I lived in Olympia, Wa. and was raising Scottish Highland cattle, but realized I required a change of scenery and energy to work on this project, away from my farm work. So, every weekend for the next couple months I stayed in the top left side room at the old Governor’s House Hotel on Capitol Way, to ponder, process and write. I finally recorded and released this cd early in 2010. Now living in Montana, I still honor those first difficult years of recovery work…I still choose daily not to drink alcohol. Some days are better than others, but after 30 years of challenging, continuing recovery work I still maintain that we are never too old to heal. This cd is a bit of a 4th step presented with the love and aspiration coming from the 12th. Many blessings and love to you!

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The Whispering Tree – Invisible Forces

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The Whispering Tree – Invisible Forces

Richly immersive folk-rock brimming with evocative lyrics and a panoramic musicality. This album explores a deeply personal and political landscape, with messages of hope, despair and social consciousness.

Bells These Houses Heavy Fat Cat California Garden Split In Half Little Sailor

Album Notes

Called “one of the most talented duos to take stage in NYC” by Deli Magazine, The Whispering Tree includes singer/songwriter Eleanor Kleiner and multi-instrumentalist Elie Brangbour. Together, they craft richly immersive folk-rock brimming with evocative lyrics and a panoramic musicality.

The fiercely independent twosome’s new album, Invisible Forces, was self-produced, fan-funded and recorded at Elie and Eleanor’s home studio in Beacon, NY and at Old Soul Studio in Catskill, NY. The album explores a deeply personal and political landscape, with messages of hope, despair and social consciousness.

The leadoff single, “Fat Cat” has antecedents in Elie’s French background and the old-time gypsy jazz tradition back in his hometown while the satirical, anti-capitalist sentiment of the lyrics is firmly rooted in the protest songs of the folk revival. Other album highlights include the impressionistic “These Houses;” the revelatory “Heavy” which, with elegant grace, connects New Orleans-style jazz with the 1960s rock and pop harmony vocal tradition; the darkly foreboding environmental ballad, “Garden;” and the concluding track, the sweetly rousing protest song “Bells.”

Since its 2007 inception, The Whispering Tree has issued two albums and two EPs, and toured nationally and internationally. The duo has also earned prime critical acclaim from Keyboard Magazine and The Big Takeover Magazine, among others. Other marquee career moments include being Kerrville New Folk finalists; Philadelphia Songwriter’s Project winners; and Eleanor and Elie having the honor to lend their voices to Pete Seeger and Lorre Wyatt’s album, A More Perfect Union.

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Jimmy Aldridge & Sid Goldsmith – Many a Thousand

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Jimmy Aldridge & Sid Goldsmith – Many a Thousand

The release of their critically acclaimed second album ‘Night Hours’ in 2016 cemented Jimmy Aldridge and Sid Goldsmith’s reputation as two of the most exciting musicians and social commentators on the British folk scene. Songs have always taken centre stage with Jimmy and Sid and on ‘Many A Thousand’ we see the duo flexing not only their vocal and instrumentation skills, but also their talent as composers. Part of what makes this compelling duo tick is a love of traditional folksong and a mutual passion for the history that is carried in the music.

Via Extasia Poacher's Fate The Tide The Seasons Hope and Glory Working Chap Turning of the Year Reedcutter's Daughter The Last Ploughshare Hawks Call A Monument to the Times / The Stepped Ford

On ‘Many A Thousand’ the past and present sit side by side, with original songs more than comfortably holding their own next to the traditional. Another crucial element to this partnership is a shared world-view ? sustainability, traditional crafts and living in tune with the land ? all elements that deeply inform their music.

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The Good Paper of Rev. Robert Mortimer

  GoodPaper of Rev. Rob Mortimer is: Rob Mortimer on vocals, guitars, lap steel guitar, pianos, organs, synth; Jeffrey Tonos on guitar, synth, backing vocals; David Morgan on bass; Walter Washington on drums; Art Edmaiston on Saxophones; and Bob Dowell on Trombone. Rob Mortimer, is the trifecta of a Mississippi Delta Blues… Continue reading

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Braden Gates – Pictures Of Us

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Braden Gates – Pictures Of Us

Another Reason For The Blues Still It Shines Happy Little Town Best Of Me Blue Skies With A Chance Of Rain Pictures Of Us Casting Fly Mama, I've Tried Takes One To Know One Catholic School Mexican Wrestler Coffee Shop

BRADEN GATES is writing hard hitting topical songs giving us a street
view of our times and that are delivered with honesty and conviction.
PICTURES OF US is his fourth album – his first release on Borealis
Records.

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Comanche Moon – Country Music Deathstar

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Comanche Moon – Country Music Deathstar

So It Goes Goin' To The Country Leaving Town Restoration Country Music Deathstar Outa This Town The One That You Love Cut Me Loose The Storm Colorado Bound Oilfield Blues Solid Ground

Mark Erikson (MHE): We get asked a lot, “what kind of music do y’all play?” It’s always been kind of a tough question for us because it really has more to do with what we were listening to growing up than it does with current genre categories. In the sense that our sound is country, it’s because we grew up in the country listening to a lot of 90s country like George Strait, Chris LeDoux and Garth Brooks, as well as traditional forms like bluegrass and old cowboy fiddle tunes. But we also listened to a lot of bands like Led Zeppelin, Pink Floyd, Beatles, Jimi Hendrix, Allman Brothers Band, and that kind of music had a huge influence on our sound. So when people ask about our sound, you can spend a paragraph saying that, or you can just call it “Country Music Deathstar.”

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Milly Raccoon – You’re In Country Country

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Milly Raccoon – You’re In Country Country

Fiddle player and singer Milly Raccoon roams the continent, bringing her quirky, edgy music and art to unsuspectingcitizens. Her original songs and musical stylings seem to have traveled magically out of the past, emulating classic country, traditional jazz, and old-world Celtic music. 

Southern Nights The Fine Art of Takin it Slow Pinch Hitter Blues Happy Forever Le Chien de la Montagne Hey There Little Mail Lady Life Sharks Another Animal The Power of Prayer Hot Potato

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