Like the Jayhawks, who, like Lee, hail from the Midwest, these tracks arrive fully formed with strumming, spiraling, cascading guitars and organic, easy rolling melodies that seem plucked from the air. Lush and honeyed but with an edge lurking underneath, the rootsy feel is natural and effortless.
The approach falls between early Eagles and Neil Young’s Harvest Moon with a strong whiff of Tom Petty. And while Lee’s talents aren’t yet at the level of those icons of the genre, he has a similar sense of composing hummable songs with sharp lyrics driven by a boyish voice that balances sweet and tart. The easy Latin vibe and Brit invasion guitar bubbling under the beautiful “Know by Now” is informed by a hint of Brill Building songcraft that makes it sway and shimmy in all the right ways.
The drifting electric guitars of “East Side Blues” express all the loneliness of lyrics like “I’m missing my sweet mama/she’s out there on her own,” without Lee having to say a word. The closing title track adds piano and strings to bring a bigger, more dramatic scope lyrically (Lee is looking for a better world), vocally (there is a trace of John Lennon) and stylistically, but feels like it ends too soon. Lee is clearly a newcomer worth watching but don’t let that distract you from enjoying an album perfect for both lazy, hazy, summer nights and sunshiny days.
0 comments:
Post a Comment