No Depression’s Cameron Matthews has premiered the final single from The Hooten Hallers upcoming, eponymous, album saying “for a band from the Show Me State, the Hallers are quite good at distilling the sounds of St. Louis, the tweaker rhythms of Missouri lake dwellers, and the anti-establishment sentiments of Chuck Berry’s river blues into a definitive sound” noting “Blues Brothers-style hot brass blasts over the speakers like a souped-up Crown Victoria at the beginning of “Charla””.
4-8 Kingston, NY @ The Anchor
4-13 St Louis, MO @ Off Broadway
4-14 Columbia, MO @ Rose Music Hall
4-20 Paducah, KY @ Maiden Alley Cinema
4-21 Fayetteville, WV @ Cantrell Ultimate Rafting/ 35th Star
4-22 Wilmington, NC @ Reggie’s
4-23 Pittsboro NC, @ The City Tap
4-26 Newport, KY @ Southgate House
4-27 Bloomington, IN @ The Blackhouse
4-28 Steeleville, MO @ MoRoots Music Festival
4-29 Nashville, TN @ The Basement
5-2 Milwaukee WI @ Boone & Crockett
5-3 Green bay, WI @ Lyric Room w/ Scott Biram
5-4 Hancock, MI @ Orpheum Theater
5-5 Chicago, IL @ Moonrunners (Reggie’s Rock Club)
5-6 Springstead, WI @ Chico’s North of The Border
5-9 Viroqua, WI @ Drfistless Books
5-11Minneapolis, MN @ The Viking Bar
More Info on The Hooten Hallers
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In the olden days of American music, before radios, television, highways, and the internet homogenized everything, regional styles and traditions reigned. And yet, the rich regionalism of America continues today, fighting against the Walmart-ization of American culture. Columbia, MO trio The Hooten Hallers are out front of this charge, reclaiming the heritage of their Missouri roots. With their new self-titled album (to be released April 21, 2017 on Big Muddy Records), they continue their decade-long search for these roots, drawing from the surrounding agricultural lifestyles, the river communities, the college kids and the tweakers that roam Columbia, Missouri, all in the looming foothills of the Ozark Mountains. Other bands would have jumped ship for a metropolitan city long ago, but there’s a sense of pride in these stubborn personalities that tie The Hooten Hallers inextricably to their place. Their regional foundation inspires their music, from pre-war blues to New York Dolls-inspired punk rock to Legendary Shack Shakers-esque Americana Gothic, all of it tying them to the Missouri river and the new regional traditions being made every day. As they say in Missouri, it’s not quite the Midwest and it’s not quite the South. In the same vein, the Hooten Hallers’ music isn’t quite Americana and it’s not quite punk, but a bit of both, fused together in a drunken tangle.
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